Release Planning

The Release Checklist for the Team Behind the Artist

Updated 6 min read

A strong release is a team plan with a date on every step. Start about eight weeks out: the final master and cover art first, then credits, the release date, the story you will tell, and a clear owner for each part.

Why a release works best as a team plan

Every release has one artist at the center and several people beside them. The producer finishes the sound, the manager holds the calendar, a designer shapes the cover, and partners carry the story to listeners.

When each step has a name and a date next to it, the artist can focus on the music while the team moves the release forward together. The checklist below follows that rhythm, from eight weeks before release day to the end of the first month.

Who usually owns each part

Every team is shaped differently, so treat this as a starting point and agree on it together.

A common way to share the work
Part of the releaseUsually led byAgreed with
Final mix and masterProducer or engineerArtist
Cover artDesignerArtist and manager
Credits and songwriting sharesManagerEvery writer and producer
Release date and store deliveryManagerArtist
Story, photos and short videosArtist and managerPartners in press and content
Playlist and press pitchingManager or partnerArtist
First-month reviewManagerThe whole team

One owner per step, and one shared date for everything. That is the whole system.

Eight to six weeks before release

  1. Approve the final master together, and keep the approved file in one shared folder.
  2. Finish the cover art. Most stores ask for a square image of at least 3000 by 3000 pixels.
  3. Agree on the release title, the spelling of every name, and the language of the song.
  4. Write down every credit: performers, songwriters, producers, and the engineers who mixed and mastered.
  5. Agree on the songwriting shares in writing, signed by every writer.

Six to three weeks before release

  1. Choose the release day and submit the release, so the stores have time to prepare it.
  2. Update the artist's profiles on every service: photo, short biography and links.
  3. Pitch the song to the editorial teams of the streaming services. Spotify, for example, asks for a pitch at least seven days before release, and earlier gives the song more room.
  4. Plan the story: three or four moments to share, from the studio to release day.
  5. Film a few short videos with the song, ready to post in the first week.

Release week

  • Share the song on release day from the artist's channels, then from the team's.
  • Thank every playlist curator, creator and partner who shares it.
  • Read the first numbers daily: listeners, saves, and where the plays come from.
  • Post the short videos through the week, and answer the people who respond.
Which numbers matter after a release

The first month

At the end of the first month, sit together and read what the release taught you. Which cities are growing, which videos travelled, which playlists brought new listeners. Write down three things to repeat on the next release and one thing to try for the first time.

The earnings from the release arrive a few months after the plays, once the stores report to the distributor. Marking that month in the shared calendar keeps the whole team ready to read the statement together.

How to read a royalty statement

One shared view for the whole team

SoundEX.ai gives managers, producers and partners one shared view of the releases, audiences and results they build together. The artist stays at the center, and every person beside them sees the same release, the same numbers and the same next step.

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Questions and answers

How early should a release be planned?

About eight weeks before release day is a comfortable start. It leaves time for the master, the cover art, the credits and an editorial pitch.

Who should hold the release calendar?

Usually the manager, with every step agreed with the artist. What matters most is that the whole team works from one calendar.

When should songwriting shares be agreed?

Before the release, in writing, signed by every writer. It keeps every name and every share clear from the first day.

What should the team review after the first month?

Listeners, saves, the cities that grew, and where the plays came from. Pick three things to repeat and one new thing to try next time.