The Release Checklist for the Team Behind the Artist
Updated 6 min read
A strong release is a team plan with a date on every step. Start about eight weeks out: the final master and cover art first, then credits, the release date, the story you will tell, and a clear owner for each part.
Why a release works best as a team plan
Every release has one artist at the center and several people beside them. The producer finishes the sound, the manager holds the calendar, a designer shapes the cover, and partners carry the story to listeners.
When each step has a name and a date next to it, the artist can focus on the music while the team moves the release forward together. The checklist below follows that rhythm, from eight weeks before release day to the end of the first month.
Who usually owns each part
Every team is shaped differently, so treat this as a starting point and agree on it together.
| Part of the release | Usually led by | Agreed with |
|---|---|---|
| Final mix and master | Producer or engineer | Artist |
| Cover art | Designer | Artist and manager |
| Credits and songwriting shares | Manager | Every writer and producer |
| Release date and store delivery | Manager | Artist |
| Story, photos and short videos | Artist and manager | Partners in press and content |
| Playlist and press pitching | Manager or partner | Artist |
| First-month review | Manager | The whole team |
One owner per step, and one shared date for everything. That is the whole system.
Eight to six weeks before release
- Approve the final master together, and keep the approved file in one shared folder.
- Finish the cover art. Most stores ask for a square image of at least 3000 by 3000 pixels.
- Agree on the release title, the spelling of every name, and the language of the song.
- Write down every credit: performers, songwriters, producers, and the engineers who mixed and mastered.
- Agree on the songwriting shares in writing, signed by every writer.
Six to three weeks before release
- Choose the release day and submit the release, so the stores have time to prepare it.
- Update the artist's profiles on every service: photo, short biography and links.
- Pitch the song to the editorial teams of the streaming services. Spotify, for example, asks for a pitch at least seven days before release, and earlier gives the song more room.
- Plan the story: three or four moments to share, from the studio to release day.
- Film a few short videos with the song, ready to post in the first week.
Release week
- Share the song on release day from the artist's channels, then from the team's.
- Thank every playlist curator, creator and partner who shares it.
- Read the first numbers daily: listeners, saves, and where the plays come from.
- Post the short videos through the week, and answer the people who respond.
The first month
At the end of the first month, sit together and read what the release taught you. Which cities are growing, which videos travelled, which playlists brought new listeners. Write down three things to repeat on the next release and one thing to try for the first time.
The earnings from the release arrive a few months after the plays, once the stores report to the distributor. Marking that month in the shared calendar keeps the whole team ready to read the statement together.
One shared view for the whole team
SoundEX.ai gives managers, producers and partners one shared view of the releases, audiences and results they build together. The artist stays at the center, and every person beside them sees the same release, the same numbers and the same next step.
Questions and answers
How early should a release be planned?
About eight weeks before release day is a comfortable start. It leaves time for the master, the cover art, the credits and an editorial pitch.
Who should hold the release calendar?
Usually the manager, with every step agreed with the artist. What matters most is that the whole team works from one calendar.
When should songwriting shares be agreed?
Before the release, in writing, signed by every writer. It keeps every name and every share clear from the first day.
What should the team review after the first month?
Listeners, saves, the cities that grew, and where the plays came from. Pick three things to repeat and one new thing to try next time.